Details here.

daniel stearns: Golden Town

Christopher DeLaurenti: Perforate Silence

Meanwhile CD versions of Elle avait raison Hathor (V. Berger Rond) and Axe (V/A) will be ready and shipped later this week.

Prepared guitar, computer processed, fretless, alternate tunings, noisy ambient, composed layers, unplugged-electric, controlled feedback, free improvisation, interlocking loops, virtuosic lines, shimmering drones, haunting melodies.

With Kavin Allenson, Tigress and the U-Fraidees, Bruce Hamilton, Mark Hamilton, Bill Horist, Neil Haverstick, Jukka-Pekka Kervinen, Steve Moyes, Marco Oppedisano, James Ross, Roger Sundstrom, Chris Vaisvil, the Michael Vick Trip, and Jordan Watson.

This compilation celebrates the electric guitar and its creative use with a collection of varied tracks that provide a small snapshot of what some artists and composers have been doing in 2010-2012.

Despite only eighty odd years of use (and even less as a widespread instrument), the electric guitar has been a major force of musical invention, forging new genres of music and new sonic territories to explore. Musicians today have a rich history to draw upon: Les Paul and other early masters, the various and celebrated icons of blues, rock, jazz and fusion; and several decades of guitarists extending their instruments through preparation and modification, processing, new playing techniques, and different tuning systems.

The music on this album is informed by the aesthetic, timbral, compositional and conceptual innovations of Derek Bailey, Adrian Belew, Glenn Branca, Robert Fripp, Bill Frisell, Fred Frith, Jimi Hendrix, Keith Rowe, and Elliott Sharp, to name but a few. Yet there are always more things to say, more avenues to explore, and more artists popping up to advance down these paths.

cityoftheasleep.bandcamp.com

www.cityoftheasleep.com

In Farouche Voidness,

ZANTH!

Ferrum Catastrophae 

Tethered To “All Seed”,

Strata And Raad,

Quanta Eyes Wings Grow,

Off The Backs Of Golden Bats!

GOLDENBATS II is a twenty-six minute musical journey. Vast, lovely and large, it transitions from a bleak, dark and brooding stormy night into a new dawn of contentedly chorusing whippoorwills.

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Living in a megalopolis can be daunting to say the least. GOLDENBATS II is about time, healing, channeling creative energies and giving birth. The work was composed as a means for personal self-healing and empowerment both by the act of its creation and by the subtle memeplex it introduces upon repeated listening. The package design, etc. are all extensions of these ideas. The work was never intended to be released to the public though now through some fortunate external interest you’re reading these words and hearing these sounds.

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Geoff Duncanson and Dennis Meade have been performing and recording music together for the better part of a decade. They’ve been friends ever since their public school days in Yonkers, NY. Dennis has recorded music for the Imminent Frequencies label along side Asa Osbourne, Spencer Yeh, Jon Wesseltoft, and Jacob Long. Geoff was a member of the long standing New York experimental sextet Blue Velvet. That ensemble has performed along side Octis (Mick Barr), Mary Timony, Growing, Aloha, Medications, Child Abuse, Beauty Pill, Behold… The Arctopus, and many others. Geoff has performed most recently banging “resonant rocks” together in an impromptu performance on the streets of Kingston, NY with Pauline Oliveros during the 2011 O Positive festival. Both Geoff and Dennis have played in Sun Son Sun with James Zandoli and Victor “Poison Tete” (Rat At Rat R).

Steve  Moshier: Limestone Gates limited edition CD

……..(ambient minimal electronic classic 80s reissue)

Jeff Fairbanks: Baldy’s Shopping limited edition CD; and micro edition USB Flash Drive (3 left!)

……..(quirky and beautiful experimental soundtrack music)

more of Diego’s work can be found here (visual) and here (sound).