The new video by AXIAL for Terra-a-Terra, a haunting collaboration from Paulo Chagas (Portugal), George Christian (Brazil) and Mehata Hiroshi (Japan). This is excerpted from a stunning thirty-one minute ambient/noise/improvisation piece that serves as one of two tracks on Love Without Wings, a new title on Spectropol that will be released alongside the newly revised, remixed and mastered version of Christian + Mehata’s La Géographie sans Regret on March 1. [More details on these releases in the coming weeks.]
An unidentified space; a surreal electroacoustic chamber music full of vibrant color and complex emotion.
We are delighted to provide the wider international release of Iranian composer/electronic musician Ehsan Saboohi’s Chaos in the Cosmos. The album is available as a digital download and comprises two fascinating experimental tracks, microtonal and hypnotic, weaving tapestries of sculpted sound.
From Mr. Saboohi: “Chaos in the Cosmos” (Shahr-âshub in Persian) is an experimental music inspired by the well-known components of Iranian culture such as literature, miniatures, calligraphies and the art of carpet. Being aware that meta narratives have no place in today’s world, it is aimed to be a micro narrative of the Persian traditional poetry and music.
Chaos (Âshub) is a metaphor for the invention and discovering the new disciplines and Cosmos (Shahr) is a metaphor for the established disciplines.
We respect other nations’ music and believe that what constitutes the future of the music is a dialogue between the contemporary and traditional music. Thus, we look at the western music from the second half of 20th century (from1950 onward) and consciously bracket all the appeal of tonal music in order to rediscover the harmonics and non-harmonics of the music by itself.
Spectropol is excited about the release of Marcus Rubio’s “I don’t think I see a difference” next Saturday (April 19). It’s a compelling album of banjo/voice-centered deconstructed pop songs that’s as pleasing as it is challenging.
Here’s a tiny teaser:
Get the albums here:
‘desolation’ is an album of sonic hauntings, a collection of experimental ambient explorations by two longtime collaborators. This release continues Spectropol’s side project of unearthing older gems from the back catalogs of interesting artists, as these tracks were recorded in 1999. Bennett and Galloway have since collaborated many times, recently in the west coast based psychedelic-electroacoustic band Respectable Citizen. ‘desolation’ has aged wonderfully, with composer Bennett putting his considerable synthesis & keyboarding expertise to use against Galloway’s trademark experimental guitar work. It’s full of force and beauty and beckons new listeners in 2014.
Streaming and name-your-price download available at the bandcamp site:
[SpecT 29] www.brucechristianbennett.com souciant.com/2011/04/process-not-synthesis Respectable Citizen B & V over the years...
This collection of acousmatic pieces from Saint-Petersburg’s Ilia Belorukov melds electroacoustic, ambient-chill, and free improvisation into a unified whole. Granular soundscapes fuse with hypnotic pads, providing shifting moods and often a calm repose. Processed saxophone enters the picture, weaving insistent loops and beautiful lines through forests of gentle noise.
more about Ilia: http://www.belorukov.blogspot.com
Polish artist Marcin Tomczak has been producing music and sound art for well over 15 years. His early work involved audio collage, as well as programming early drum machines and the Commodore computer. His BRUIT project (late 1990s) mixed spoken word poetry with sound collages. He then began mixing and composing with various sound sources under the alias LIL. The hypnotic, ambient music on THE SPACE BETWEEN was completed in 2013 and combines field recordings with subtle electronic textures and processed voices. LIL frequently collaborates with other artists and has an upcoming solo release on Tom Flesh Records/Sirona Records in the first quarter of 2014.
Stream, download (name your price), or purchase the CDR from the bandcamp link.
Here’s a round-up of some recent reviews.
C Dufallo/P Derivaz – Bass Violin, & Vincent Bergeron – Il y a seulement des apparitions in Monsieur Délire
J.C. Combs – Gazing, Andrew Young – Inkplaces, & Joel Taylor – Night Stories in Vital Weekly
Get the albums:
The latest installment in our ongoing presentation of some of the finest contemporary xenharmonic (not 12-tone equal tempered) music available. Spanning five continents and showcasing a diversity of styles/genres, these twelve tracks provide multiple entry points into worlds inhabiting novel pitch space.
With music by Jacky Ligon, Mirjam Tally, Lewis Krauthamer, Lois Lancaster, Karen Keyhani, Christian Molenaar, Todd Harrop, Scott A. Moore, D. Edward Davis, Claudi Meneghin, Michael Vick and Kraig Grady.
“Patrick Derivaz and I started recording Bass Violin in January of 2011. Patrick’s concept was to experiment with pairing two instruments of extremely different registers using digital effects and loops. Our process was highly spontaneous: using composed material that we each brought to the sessions as a point of departure, we improvised freely and record all of our improvisations. After this we assembled each composition from the recorded material. Each of the pieces is a truly collaborative combination of composition, improvisation, and post-production.Our creative meeting ground turned out to be a meditative, quasi-hypnotic aesthetic in which variation is slowed to a nearly imperceptible rate. Within this sound world, the combination of registral extremes and a rich palette of digital tone colors created music that we hope is deeply engaging on both an emotional and psychological level.”
released 22 October 2013
Music by Derivaz-Dufallo.
Tracks 1, 3, 4, 6, 7: PAD Publishing, ASCAP.
Tracks 2, 5: CBD Music, Inc., ASCAP.
All tracks recorded, mixed, produced and mastered by Patrick Derivaz at PAD Productions.
Art and Graphics by Nana Deleplanque.
2013 Spectropol Records | SpecT 24