April 12, 2014
Spectropol is excited about the release of Marcus Rubio’s “I don’t think I see a difference” next Saturday (April 19). It’s a compelling album of banjo/voice-centered deconstructed pop songs that’s as pleasing as it is challenging.
Here’s a tiny teaser:
Here’s a cool piece on Marcus from last summer.
Meanwhile, here’s a nice review of LiL’s THE SPACE BETWEEN from What’s Up! Magazine.
And here are some thoughts on the tracks of Possible Worlds Vol. 2 from the esteemed Music Street Journal.
Get the albums here:
March 19, 2014
‘desolation’ is an album of sonic hauntings, a collection of experimental ambient explorations by two longtime collaborators. This release continues Spectropol’s side project of unearthing older gems from the back catalogs of interesting artists, as these tracks were recorded in 1999. Bennett and Galloway have since collaborated many times, recently in the west coast based psychedelic-electroacoustic band Respectable Citizen. ‘desolation’ has aged wonderfully, with composer Bennett putting his considerable synthesis & keyboarding expertise to use against Galloway’s trademark experimental guitar work. It’s full of force and beauty and beckons new listeners in 2014.
Streaming and name-your-price download available at the bandcamp site:
B & V over the years...
February 27, 2014
This collection of acousmatic pieces from Saint-Petersburg’s Ilia Belorukov melds electroacoustic, ambient-chill, and free improvisation into a unified whole. Granular soundscapes fuse with hypnotic pads, providing shifting moods and often a calm repose. Processed saxophone enters the picture, weaving insistent loops and beautiful lines through forests of gentle noise.
Check out the album on the bandcamp site where you can stream & download I Did What Was Possible to Quiet Us.
more about Ilia: http://www.belorukov.blogspot.com
January 3, 2014
Polish artist Marcin Tomczak has been producing music and sound art for well over 15 years. His early work involved audio collage, as well as programming early drum machines and the Commodore computer. His BRUIT project (late 1990s) mixed spoken word poetry with sound collages. He then began mixing and composing with various sound sources under the alias LIL. The hypnotic, ambient music on THE SPACE BETWEEN was completed in 2013 and combines field recordings with subtle electronic textures and processed voices. LIL frequently collaborates with other artists and has an upcoming solo release on Tom Flesh Records/Sirona Records in the first quarter of 2014.
Stream, download (name your price), or purchase the CDR from the bandcamp link.
December 26, 2013
Here’s a round-up of some recent reviews.
Andrea Borghi – Musica per Nastro in Wonderful Wooden Reasons and in Kathodik (Italian)
C Dufallo/P Derivaz – Bass Violin, & Vincent Bergeron – Il y a seulement des apparitions in Monsieur Délire
J.C. Combs – Gazing, Andrew Young – Inkplaces, & Joel Taylor – Night Stories in Vital Weekly
Get the albums:
November 15, 2013
The latest installment in our ongoing presentation of some of the finest contemporary xenharmonic (not 12-tone equal tempered) music available. Spanning five continents and showcasing a diversity of styles/genres, these twelve tracks provide multiple entry points into worlds inhabiting novel pitch space.
With music by Jacky Ligon, Mirjam Tally, Lewis Krauthamer, Lois Lancaster, Karen Keyhani, Christian Molenaar, Todd Harrop, Scott A. Moore, D. Edward Davis, Claudi Meneghin, Michael Vick and Kraig Grady.
October 22, 2013
Spectropol is pleased to announce the re-release of this excellent collaborative album. Stream, download, or purchase it at the link below.
“Patrick Derivaz and I started recording Bass Violin in January of 2011. Patrick’s concept was to experiment with pairing two instruments of extremely different registers using digital effects and loops. Our process was highly spontaneous: using composed material that we each brought to the sessions as a point of departure, we improvised freely and record all of our improvisations. After this we assembled each composition from the recorded material. Each of the pieces is a truly collaborative combination of composition, improvisation, and post-production.Our creative meeting ground turned out to be a meditative, quasi-hypnotic aesthetic in which variation is slowed to a nearly imperceptible rate. Within this sound world, the combination of registral extremes and a rich palette of digital tone colors created music that we hope is deeply engaging on both an emotional and psychological level.”
released 22 October 2013
Music by Derivaz-Dufallo.
Tracks 1, 3, 4, 6, 7: PAD Publishing, ASCAP.
Tracks 2, 5: CBD Music, Inc., ASCAP.
All tracks recorded, mixed, produced and mastered by Patrick Derivaz at PAD Productions.
Art and Graphics by Nana Deleplanque.
2013 Spectropol Records | SpecT 24
September 12, 2013
J.C. Combs’ recent Spectropol release quickly became the soundtrack for some great choreography by Susan Haines in Bellingham. More performances later this year will include even more music from Combs. Watch the initial performance below.
>>>>>Here’s a review of Gazing from disquiet.
Gazing also has been featured on radio programs including Max Shea’s “Martian Gardens” (WMUA 91.1FM Amherst and online) and Don Campau’s “No Pigeonholes” program (KOWS FM Sonoma and online).
June 27, 2013
Seattle-based composer and improviser J.C. Combs presents an EP of processed piano recordings, each of the three pieces serving as a sonic reverie between worlds. Check out & download Gazing here.
Combs, who is the founder of the Sound-In new music community (formerly ImprovFriday), has previous recordings available from the Electroshock, Con-V, Cellar Door, and Amaranth labels.
May 12, 2013
A short but beautiful collection of works for processed piano is set to come out in mid-June from Seattle-based sound artist and composer J.C. Combs. Details to emerge soon!