video by Gustavo Daher
(from aos rios urbanos)
adventurous music from secret pockets of the globe
video by Gustavo Daher
George Christian (Brazil) shares a beautiful and exploratory collection of guitar-based microtonal and processed pieces. Use the link to our Bandcamp site below to access the name-your-price download or limited edition CD-R.
“new sadness, or requiem for regina celi” features Kyland Holmes.
Mastered by Leo Moura. Photos by Davi Karamazov.
A collection of thoughtful and moving acoustic/electric guitar pieces (with some electroacoustic processing) from Brazil’s George Christian Vilela Pereira, “aos rios urbanos” (to the urban rivers) is a meditative reflection on the flow of life and our desire to form a more whole consciousness.
Available in limited edition CDR and digital download October 6.
It’s been one year since the release of Brendan Byrnes’ Micropangaea, an album that made Igloo Magazine’s top releases list for 2012.
Read the Igloo review.
We’re celebrating by releasing a bonus track! Glacial Reef was part of Byrnes’ original playlist but was only recently completed. It’s now available as part of the album download as well as a single free download for those that already have the album.
More about the album (and the new track) at Kerstin Hovland’s HTML 5 Micropangaea site.
Also, join us with the ‘Can this even be called Music?’ blog crew for a Micropangaea listening party (via Grooveshark) August 4 at 4PM EST!
Positive reviews of V/A Axe and Vincent Berger Rond: Elle avait raison Hathor showed up in the latest Vital Weekly.
The haunting new collaboration from two emerging artists from Brazil and Japan. Sheets of noisy harmony, shimmering textures, microtonal explorations, and voice drenched in reverb seep in and out of existence. Somewhere between avant/noise rock and experimental electronic, this recording is a strange trip that gets better with each hearing.
more from artist Wilhelm Matthies:
La Géographie sans Regret (George Christian & Mehata Sentimental Legend) is about exploring emotional grounds, exhilarating here, melancholy there, dark and tortured there, but without regret. Each musical piece seems to have originated from an emotional reality which is expressed in written words and transformed with the same intensity and emotional and moral ambiguity into musical language.
As a collaboration, George Christian was able to go beyond language barriers which could trap him into such territories, and was able to communicate it to Mehata Hiroshi. Mehata Hiroshi was able to match it both musically and with his visual artwork. His visual artworks, likewise, have the depth, sparkle, horror, and exhilaration expressed in the music they made.
Two young artists show us what it is like to be young, risk taking, treading on water, mud, solid ground sometimes, but throughout it all, without regret.
This long-awaited collection of experimental tracks featuring electric guitar is finally out for download and purchase.
Prepared guitar, computer processed, fretless, alternate tunings, noisy ambient, composed layers, unplugged-electric, controlled feedback, free improvisation, interlocking loops, virtuosic lines, shimmering drones, haunting melodies.
With Kavin Allenson, Tigress and the U-Fraidees, Bruce Hamilton, Mark Hamilton, Bill Horist, Neil Haverstick, Jukka-Pekka Kervinen, Steve Moyes, Marco Oppedisano, James Ross, Roger Sundstrom, Chris Vaisvil, the Michael Vick Trip, and Jordan Watson.
This compilation celebrates the electric guitar and its creative use with a collection of varied tracks that provide a small snapshot of what some artists and composers have been doing in 2010-2012.
Despite only eighty odd years of use (and even less as a widespread instrument), the electric guitar has been a major force of musical invention, forging new genres of music and new sonic territories to explore. Musicians today have a rich history to draw upon: Les Paul and other early masters, the various and celebrated icons of blues, rock, jazz and fusion; and several decades of guitarists extending their instruments through preparation and modification, processing, new playing techniques, and different tuning systems.
The music on this album is informed by the aesthetic, timbral, compositional and conceptual innovations of Derek Bailey, Adrian Belew, Glenn Branca, Robert Fripp, Bill Frisell, Fred Frith, Jimi Hendrix, Keith Rowe, and Elliott Sharp, to name but a few. Yet there are always more things to say, more avenues to explore, and more artists popping up to advance down these paths.