Check out this sampler track from Spectropol’s upcoming (11/15) microtonal compilation, featuring excerpts from Jacky Ligon, Mirjam Tally, Lewis Krauthamer, Lois Lancaster, Karen Keyhani, Christian Molenaar, Todd Harrop, Scott A. Moore, D. Edward Davis, Claudi Meneghin, Michael Vick and Kraig Grady.
As promised earlier, there are three more microtonal compilations on the way. The first will be ready on 11/15 and is packed with xen/micro/JI wonderment! Have a look at the playlist:
More information will be available leading up to the release, and before long the next two playlists will be made public as well (for December and early 2014 release).
And if you haven’t heard Vol. 1 from 2011, check it here:
James Wyness always has interesting things to write about. In this case, it’s our lovely label and some recent releases. Check it out here.
This long-awaited collection of experimental tracks featuring electric guitar is finally out for download and purchase.
Prepared guitar, computer processed, fretless, alternate tunings, noisy ambient, composed layers, unplugged-electric, controlled feedback, free improvisation, interlocking loops, virtuosic lines, shimmering drones, haunting melodies.
With Kavin Allenson, Tigress and the U-Fraidees, Bruce Hamilton, Mark Hamilton, Bill Horist, Neil Haverstick, Jukka-Pekka Kervinen, Steve Moyes, Marco Oppedisano, James Ross, Roger Sundstrom, Chris Vaisvil, the Michael Vick Trip, and Jordan Watson.
This compilation celebrates the electric guitar and its creative use with a collection of varied tracks that provide a small snapshot of what some artists and composers have been doing in 2010-2012.
Despite only eighty odd years of use (and even less as a widespread instrument), the electric guitar has been a major force of musical invention, forging new genres of music and new sonic territories to explore. Musicians today have a rich history to draw upon: Les Paul and other early masters, the various and celebrated icons of blues, rock, jazz and fusion; and several decades of guitarists extending their instruments through preparation and modification, processing, new playing techniques, and different tuning systems.
The music on this album is informed by the aesthetic, timbral, compositional and conceptual innovations of Derek Bailey, Adrian Belew, Glenn Branca, Robert Fripp, Bill Frisell, Fred Frith, Jimi Hendrix, Keith Rowe, and Elliott Sharp, to name but a few. Yet there are always more things to say, more avenues to explore, and more artists popping up to advance down these paths.