September 18, 2015
Spectropol is happy to help bring another significant work by Iranian artist Ehsan Saboohi to the west and beyond, this time with the help of a superb group of singers and instrumentalists.
Phonemes Requiem is a large-scale multi-movement work that explores the inner world of speech and vocalized sound, temporally expanded and sonically enhanced, each small section a zone to get lost in while serving the long flow of the piece. It’s rich with detail and gets better with each hearing.
Download Phonemes Requiem (2014-2015) (For four Soloists, mixed Chorus, Didgeridoo, prepared Tombak, Electronics, Computer) below (name your price). And if you like, pre-order the limited edition CDR!
Check out his earlier release on Spectropol here.
May 10, 2013
Just Outside has some very nice reviews of Respect and Musica per Nastro here.
January 4, 2013
Tetuzi Akiyama & Jeff Gburek’s new album of engrossing improvisations is available for streaming and purchase in download and limited edition CDR formats. Check it out below and see the bandcamp page for more details.
January 3, 2013
Coming this Saturday; download and limited edition CDR.
tetuzi akiyama + jeff gburek: ‘respect’
These recorded improvisations from 2010 are a portrait of an evolving musical relationship between two well-traveled avant musicians. Quiet guitars and electronics interact over a bed of silence, an intimate post-Feldman environment where breathing and room sound permeate the texture. The east/west hybrid interests of both players seem to inform the subtle harmonic framework and the hypnotic flow of events. Jeff Gburek (Poland) recalls that between recorded segments the duo discussed moods/imagery, undetermined but subliminal suggestions. “In the middle of nowhere, the desert…” was an idea for the second track, which sparked Gburek’s “strong associative imagination with the New Mexico desert landscape and my sounds; because much of my sound vocabulary for that instrument set-up was developed while I was living in New Mexico.” Tetuzi Akiyama (Japan) had also been visiting New Mexico a few months before the recording, his slide guitar on that track perhaps redolent of the southwestern US. Overall these four tracks invite the listener into a unified and compelling experience, a meeting of musical presences enabled by patience and a willingness to explore.